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September 28, 2006Dodge Poetry FestivalFrom the Academy Audio Archive

About this poet

Born on November 19, 1953, in Fort Bragg, North Carolina, Tony Hoagland is the author of witty, poingnant poems that comment on contemporary American life and culture.

His books of poetry include Unincorporated Personas in the Late Honda Dynasty (Graywolf Press, 2010); What Narcissism Means to Me (2003), a finalist for the National Book Critics Circle Award; Donkey Gospel (1998), which received the James Laughlin Award; and Sweet Ruin (1992), chosen by Donald Justice for the 1992 Brittingham Prize in Poetry and winner of the Zacharis Award from Emerson College.

Hoagland's other honors and awards include two grants from the National Endowment for the Arts, a fellowship to the Provincetown Fine Arts Work Center, the O. B. Hardison Prize for Poetry and Teaching from the Folger Shakespeare Library, the 2008 Jackson Poetry Prize from Poets & Writers magazine, as well as the Poetry Foundation's 2005 Mark Twain Award in recognition of his contribution to humor in American poetry.

In 2002, the American Academy of Arts and Letters praised the poet's work with a citation stating, "Tony Hoagland's imagination ranges thrillingly across manners, morals, sexual doings, kinds of speech both lyrical and candid, intimate as well as wild."

He currently teaches at the University of Houston and Warren Wilson College.

Reasons To Survive November

Tony Hoagland, 1953

 

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Tony Hoagland

Tony Hoagland

Born on November 19, 1953, in Fort Bragg, North Carolina, Tony Hoagland

by this poet

poem
Jet
Sometimes I wish I were still out 
on the back porch, drinking jet fuel 
with the boys, getting louder and louder 
as the empty cans drop out of our paws 
like booster rockets falling back to Earth

and we soar up into the summer stars. 
Summer. The big sky river rushes overhead, 
bearing asteroids and mist,
poem

My marriage ended in an airport long ago.
I was not wise enough to cry while looking for my car,

walking through the underground garage;
jets were roaring overhead, and if I had been wise

I would have looked up at those heavy-bellied cylinders
and seen the wheelchairs
poem
At this height, Kansas 
is just a concept, 
a checkerboard design of wheat and corn

no larger than the foldout section 
of my neighbor's travel magazine. 
At this stage of the journey

I would estimate the distance 
between myself and my own feelings 
is roughly the same as the mileage

from Seattle to New York