About this poet

On September 10, 1886, Hilda Doolittle was born in Bethlehem, Pennsylvania. She attended Bryn Mawr, as a classmate of Marianne Moore, and later the University of Pennsylvania where she befriended Ezra Pound and William Carlos Williams.

She travelled to Europe in 1911, intending to spend only a summer, but remained abroad for the rest of her life.

Through Pound, H. D. grew interested in and quickly became a leader of the Imagist movement. Some of her earliest poems gained recognition when they were published by Harriet Monroe in Poetry.

Her work is characterized by the intense strength of her images, economy of language, and use of classical mythology. Her poems did not receive widespread appreciation and acclaim during her lifetime, in part because her name was associated with the Imagist movement even as her voice had outgrown the movement's boundaries, as evidenced by her book-length works, Trilogy and Helen in Egypt.

As Alicia Ostriker said in American Poetry Review, "H.D. by the end of her career became not only the most gifted woman poet of our century, but one of the most original poets—the more I read her the more I think this—in our language."

Neglect of H. D. can also be attributed to her times, as many of her poems spoke to an audience which was unready to respond to the strong feminist principles articulated in her work. She died in 1961.


Selected Bibliography

Poetry

Sea Garden (1916)
The God (1917)
Translations (1920)
Hymen (1921)
Heliodora and Other Poems (1924)
Hippolytus Temporizes (1927)
Red Roses From Bronze (1932)
The Walls Do Not Fall (1944)
Tribute to the Angels (1945)
Trilogy (1946)
Flowering of the Rod (1946)
By Avon River (1949)
Helen in Egypt (1961)
Hermetic Definition (1972)

Prose

Notes on Thought and Vision (1919)
Paint it Today (written 1921, published 1992)
Asphodel (written 1921-22, published 1992))
Palimpsest (1926)
Kora and Ka (1930)
Nights (1935)
The Hedgehog (1936)
Tribute to Freud (1956)
Bid Me to Live (1960)
End to Torment (1979)
HERmione (1981)
The Gift (1982)

Prayer

H. D., 1886 - 1961
White, O white face—
from disenchanted days 
wither alike dark rose 
and fiery bays: 
no gift within our hands,
nor strength to praise, 
only defeat and silence; 
though we lift hands, disenchanted, 
of small strength, nor raise 
branch of the laurel 
or the light of torch, 
but fold the garment 
on the riven locks, 
yet hear, all-merciful, and touch 
the fore-head, dim, unlit of pride and thought,
Mistress–be near!
Give back the glamour to our will, 
the thought; give back the tool, 
the chisel; once we wrought 
things not unworthy, 
sandal and steel-clasp; 
silver and steel, the coat 
with white leaf-pattern 
at the arm and throat: 
silver and metal, hammered for the ridge 
of shield and helmet-rim; 
white silver with the darker hammered in, 
belt, staff and magic spear-shaft 
with the gilt spark at the point and hilt.

From Hymen, published 1921.

From Hymen, published 1921.

H. D.

H. D.

Born in 1886, Hilda Doolittle, through her association with Ezra Pound, became one of the leaders of the Imagist movement

by this poet

poem
O wind, rend open the heat,
cut apart the heat,
rend it to tatters.

Fruit cannot drop
through this thick air--
fruit cannot fall into heat
that presses up and blunts
the points of pears
and rounds the grapes.

Cut the heat--
plough through it,
turning it on either side
of your path.
poem
I saw the first pear	
as it fell—
the honey-seeking, golden-banded,	
the yellow swarm	
was not more fleet than I,	        
(spare us from loveliness)	
and I fell prostrate	
crying:	
you have flayed us	
with your blossoms,	        
spare us the beauty	
of fruit-trees.	
 
The honey-seeking	
paused not,	
the air
poem
Silver dust   
lifted from the earth,   
higher than my arms reach,   
you have mounted.   
O silver,
higher than my arms reach   
you front us with great mass;   
   
no flower ever opened   
so staunch a white leaf,   
no flower ever parted silver
from such rare silver;   
   
O white pear,   
your flower-