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About this poet

In 1970, Matthew Rohrer was born in Ann Arbor, Michigan, and raised in Oklahoma. He earned a BA from the University of Michigan, where he won a Hopwood Award for poetry, and a Master of Fine Arts degree in Poetry from the University of Iowa.

Rohrer's poetry collections include Destroyer and Preserver (Wave Books, 2011); A Plate of Chicken (Ugly Duckling Presse, 2009); Rise Up (Wave Books, 2007); A Green Light (Verse Press, 2004); Satellite (2001) and A Hummock in the Malookas (1995), which was selected by Mary Oliver for the 1994 National Poetry Series. With Joshua Beckman, he is co-author of Nice Hat. Thanks. and the audio CD Adventures While Preaching the Gospel of Beauty.

He lives in Brooklyn, New York and teaches at New York University.

Monkeys

Matthew Rohrer
In another jungle the monkeys fret. 
Vibrations are tremendous. 
Terror begins. 
Mist dissipates. 
Monkeys alight in unison 
while beneath them nothing sexy happens. 
From within one mangrove a monkey flutters helplessly, 
another watches. 
Noise like refined alabaster drifts across our monkeys. 
Human intellect dwarfs only that first tear. 
Everything else excels. 
Intellect is nothing to savor. 
Monkeys know. 
Monkeys see. 
Monkeys do. 
As monkeys follow nauseated foresters 
across wet walkways they announce their intentions. 
Mankind savors variety. 
Monkeys savor mankind. 
Poachers came and grabbed the monkeys. 
In disturbing circumstances they thrive. 
Our satellites saw lilacs. 
Nighttime. 
No one wanders forever.

From Nice Hat. Thanks. copyright © 2002 by Joshua Beckman and Matthew Rohrer. Reprinted by permission of Wave Books.

From Nice Hat. Thanks. copyright © 2002 by Joshua Beckman and Matthew Rohrer. Reprinted by permission of Wave Books.

Matthew Rohrer

Matthew Rohrer

The author of several collections of poetry, Matthrew Rohrer's book A Hummock in the Malookas was selected for the National Poetry Series

by this poet

poem

If you, Tom, could see this inflight video map

of the world turning wildly on its axis

you would not, I think, be mad, though it is not

on paper, and that is what you do, but it is

a useful thing to see the earth twisted up like this;

it is our minds that are

poem
I never believed in bioluminescence before. 
Here in Moravia where all daylight hides 
the only illumination is whiskey. 
Names seem unimportant. 
Large are the memories growing elsewhere 
beneath themselves. 
Do hemlocks burn when stared at? 
Darkness always retains something shapely. 
Those leaves engender me
poem

Central Park in a
pavilion of leaves
with extra sauce
for midday
is only a snack
and a photograph
of cold cherries
like a young woman's
legs softly peeling
after burning
a pennywhistle
in the distance
with the piping children's
voices which are