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About this Poem 

A vivacious and outspoken businesswoman, Amy Lowell tended to excite controversy. She was deeply interested in and influenced by the Imagist movement, led by Ezra Pound, who believed in the importance of concentrated language. Lowell campaigned for the success of Imagist poetry in America and embraced its principles in her own work.

A London Thoroughfare. 2 A.M.

Amy Lowell, 1874 - 1925
They have watered the street,
It shines in the glare of lamps, 
Cold, white lamps, 
And lies
Like a slow-moving river,
Barred with silver and black.
Cabs go down it,
One,
And then another,
Between them I hear the shuffling of feet.
Tramps doze on the window-ledges,
Night-walkers pass along the sidewalks.
The city is squalid and sinister,
With the silver-barred street in the midst,
Slow-moving,
A river leading nowhere.

Opposite my window,
The moon cuts,
Clear and round,
Through the plum-coloured night.
She cannot light the city:
It is too bright.
It has white lamps,
And glitters coldly.

I stand in the window and watch the
   moon.
She is thin and lustreless,
But I love her.
I know the moon, 
And this is an alien city.

This poem is in the public domain.
 

This poem is in the public domain.
 

Amy Lowell

Amy Lowell

Born in 1874, Amy Lowell was deeply interested in and influenced by the Imagist movement and she received the Pulitzer Prize for her collection What's A Clock

by this poet

poem

Red slippers in a shop-window; and outside in the street, flaws of gray, windy sleet!
 
Behind the polished glass the slippers hang in long threads of red, festooning from the ceiling like stalactites of blood, flooding the eyes of passers-by with dripping color, jamming their crimson reflections against

poem
When I go away from you
The world beats dead 
Like a slackened drum.
I call out for you against the jutted stars
And shout into the ridges of the wind.
Streets coming fast,
One after the other,
Wedge you away from me,
And the lamps of the city prick my eyes
So that I can no longer see your face.
Why should I
poem
Where else in all America are we so symbolized
As in this hall?
White columns polished like glass,
A dome and a dome,
A balcony and a balcony,
Stairs and the balustrades to them,
Yellow marble and red slabs of it,
All mounting, spearing, flying into color.
Color round the dome and up to it,
Color curving, kite-