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About this poet

Poet and playwright Edna St. Vincent Millay was born in Rockland, Maine, on February 22, 1892. Her mother, Cora, raised her three daughters on her own after asking her husband to leave the family home in 1899. Cora encouraged her girls to be ambitious and self-sufficient, teaching them an appreciation of music and literature from an early age. In 1912, at her mother's urging, Millay entered her poem "Renascence" into a contest: she won fourth place and publication in The Lyric Year, bringing her immediate acclaim and a scholarship to Vassar College. There, she continued to write poetry and became involved in the theater. She also developed intimate relationships with several women while in school, including the English actress Wynne Matthison. In 1917, the year of her graduation, Millay published her first book, Renascence and Other Poems. At the request of Vassar's drama department, she also wrote her first verse play, The Lamp and the Bell (1921), a work about love between women.

After graduating from Vassar, Millay, whose friends called her "Vincent," moved to New York City's Greenwich Village, where she led a Bohemian life. She lived in a nine-foot-wide attic and wrote anything she could find an editor willing to accept. She and the other writers of Greenwich Village were, according to Millay herself, "very, very poor and very, very merry." She joined the Provincetown Players in its early days and befriended writers such as Witter Bynner, Edmund Wilson, Susan Glaspell, and Floyd Dell, who asked for Millay's to marry him. Millay, who was openly bisexual, refused, despite Dell's attempts to persuade her otherwise. That same year Millay published A Few Figs from Thistles (1920), a volume of poetry which drew much attention for its controversial descriptions of female sexuality and feminism. In 1923 her fourth volume of poems, The Ballad of the Harp-Weaver, was awarded the Pulitzer Prize. In addition to publishing three plays in verse, Millay also wrote the libretto of one of the few American grand operas, The King's Henchman (1927).

Millay married Eugen Boissevain, a self-proclaimed feminist and widower of Inez Milholland, in 1923. Boissevain gave up his own pursuits to manage Millay's literary career, setting up the readings and public appearances for which Millay grew quite famous. According to Millay's own accounts, the couple acted liked two bachelors, remaining "sexually open" throughout their twenty-six-year marriage, which ended with Boissevain's death in 1949. Edna St. Vincent Millay died in 1950.


Selected Bibliography

Poetry

Collected Poems (1956)
Mine the Harvest (1954)
Collected Poems (1949)
Poem and Prayer for an Invading Army (1944)
Collected Lyrics (1943)
Collected Sonnets (1941)
Invocation of the Muses (1941)
Make Bright the Arrows (1940)
There Are No Islands Any More (1940)
Huntsman, What Quarry? (1939)
Conversations at Midnight (1937)
Wine from These Grapes (1934)
Fatal Interview (1931)
The Buck in the Snow (1928)
Distressing Dialogues (1924)
Poems (1923)
The Ballad of the Harp-Weaver (1922)
Second April (1921)
A Few Figs from Thistles (1920)
Renascence and Other Poems (1917)

Drama

The Murder of Lidice (1942)
The Princess Marries the Page (1932)
The King's Henchmanv (1927)
Three Plays (1926)
Distressing Dialogues (1924)
Aria da Capo (1921)
The Lamp and the Bell (1921)
Two Slatterns and a King (1921)


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Inland

Edna St. Vincent Millay, 1892 - 1950

People that build their houses inland,
   People that buy a plot of ground
Shaped like a house, and build a house there,
   Far from the sea-board, far from the sound

Of water sucking the hollow ledges,
   Tons of water striking the shore,—
What do they long for, as I long for
   One salt smell of the sea once more?

People the waves have not awakened,
   Spanking the boats at the harbour's head,
What do they long for, as I long for,—
   Starting up in my inland bed,

Beating the narrow walls, and finding
   Neither a window nor a door,
Screaming to God for death by drowning,—
   One salt taste of the sea once more?

This poem appeared in Poem-A-Day on June 8, 2013. Browse the Poem-A-Day archive.

This poem appeared in Poem-A-Day on June 8, 2013. Browse the Poem-A-Day archive.

Edna St. Vincent Millay

Edna St. Vincent Millay

Poet and playwright Edna St. Vincent Millay was born in Rockland, Maine.

by this poet

poem
Childhood is not from birth to a certain age and at a certain age
The child is grown, and puts away childish things.
Childhood is the kingdom where nobody dies.

Nobody that matters, that is. Distant relatives of course
Die, whom one never has seen or has seen for an hour,
And they gave one candy in a pink-and-
poem
“Inert Perfection, let me chip your shell.
You cannot break it through with that soft beak.
What if you broke it never, and it befell
You should not issue thence, should never speak?”

Perfection in the egg, a fluid thing,
Grows solid in due course, and there exists;
Knowing no urge to struggle forth and sing;
poem
I, being born a woman and distressed 
By all the needs and notions of my kind,
Am urged by your propinquity to find
Your person fair, and feel a certain zest
To bear your body's weight upon my breast:
So subtly is the fume of life designed,
To clarify the pulse and cloud the mind,
And leave me once again undone