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About this poet

On June 6, 1925, Maxine Kumin was born in Philadelphia. She received her BA and MA from Radcliffe College.

She has published numerous books of poetry, including And Short the Season: Poems (W. W. Norton, 2014); Where I Live: New & Selected Poems 1990-2010 (W. W. Norton, 2010); Still to Mow (2009); Jack (2003); The Long Marriage (2003); Bringing Together (2003); Connecting the Dots (1996); Looking for Luck (1992), which received the Poets' Prize; Nurture (1989); The Long Approach (1986); Our Ground Time Here Will Be Brief (1982); House, Bridge, Fountain, Gate (1975); and Up Country: Poems of New England (1972), for which she received the Pulitzer Prize.

She is also the author of a memoir, Inside the Halo and Beyond: The Anatomy of a Recovery (W. W. Norton, 2000); four novels; a collection of short stories; more than twenty children's books; and five books of essays, most recently The Roots of Things: Essays (Northwestern University Press, 2009) and Always Beginning: Essays on a Life in Poetry (Copper Canyon Press, 2000).

She has received the Aiken Taylor Award for Modern Poetry, an American Academy of Arts and Letters award, the Sarah Joseph Hale Award, the Levinson Prize, a National Endowment for the Arts grant, the Eunice Tietjens Memorial Prize from Poetry, and fellowships from the Academy of American Poets, and the National Council on the Arts.

She has served as Consultant in Poetry to the Library of Congress and Poet Laureate of New Hampshire, and is a former Chancellor of the Academy of American Poets. She died on February 6, 2014.

The Hermit Goes Up Attic

Maxine Kumin, 1925 - 2014
Up attic, Lucas Harrison, God rest
his frugal bones, once kept a tidy account
by knifecut of some long-gone harvest.
The wood was new. The pitch ran down to blunt 
the year: 1811, the score: 10, he carved
into the center rafter to represent
his loves, beatings, losses, hours, or maybe
the butternuts that taxed his back and starved
the red squirrels higher up each scabbed tree.
1812 ran better. If it was bushels he risked,
he would have set his sons to rake them ankle deep
for wintering over, for wrinkling off their husks
while downstairs he lulled his jo to sleep.

By 1816, whatever the crop goes sour.
Three tallies cut by the knife are all
in a powder of dead flies and wood dust pale as flour.
Death, if it came then, has since gone dry and small.

But the hermit makes this up. Nothing is known
under this rooftree keel veed in with chestnut
ribs. Up attic he always hears the ghosts
of Lucas Harrison's great trees complain
chafing against their mortised pegs,
a woman in childbirth pitching from side to side
until the wet head crowns between her legs
again, and again she will bear her man astride
and out of the brawl of sons he will drive like oxen
tight at the block and tackle, whipped to the trace,
come up these burly masts, these crossties broken
from their growing and buttoned into place.

Whatever it was is now a litter of shells.
Even at noon the attic vault is dim.
The hermit carves his own name in the sill
that someone after will take stock of him.

From Bringing Together by Maxine Kumin. Copyright © 2003 by Maxine Kumin. Used by permission of W. W. Norton and Company, Inc. All rights reserved.

From Bringing Together by Maxine Kumin. Copyright © 2003 by Maxine Kumin. Used by permission of W. W. Norton and Company, Inc. All rights reserved.

Maxine Kumin

Maxine Kumin

The author of numerous collections of poetry, Maxine Kumin received the Pulitzer Prize for her book Up Country: Poems of New England

by this poet

poem
How pleasant the yellow butter
melting on white kernels, the meniscus
of red wine that coats the insides of our goblets

where we sit with sturdy friends as old as we are
after shucking the garden's last Silver Queen
and setting husks and stalks aside for the horses

the last two of our lives, still noble to
poem
And suppose the darlings get to Mantua, 
suppose they cheat the crypt, what next? Begin 
with him, unshaven. Though not, I grant you, a 
displeasing cockerel, there's egg yolk on his chin. 
His seedy robe's aflap, he's got the rheum. 
Poor dear, the cooking lard has smoked her eye. 
Another Montague is in the
poem
Gassing the woodchucks didn't turn out right.
The knockout bomb from the Feed and Grain Exchange
was featured as merciful, quick at the bone
and the case we had against them was airtight,
both exits shoehorned shut with puddingstone,
but they had a sub-sub-basement out of range.

Next morning they turned up