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About this poet

Mark Doty was born on August 10, 1953. He is the author of several collections of poetry, most recently A Swarm, A Flock, A Host: A Compendium of Creatures (Prestel, 2013); Fire to Fire: New and Selected Poems (HarperCollins, 2008), which received the National Book Award; School of the Arts (HarperCollins, 2005); Source (HarperCollins, 2002); and Sweet Machine (HarperCollins, 1998).

Other collections include Atlantis (HarperCollins, 1995), which received the Ambassador Book Award, the Bingham Poetry Prize, and a Lambda Literary Award; My Alexandria (University of Illinois Press, 1993), chosen by Philip Levine for the National Poetry Series, which won the National Book Critics Circle Award and Britain's T. S. Eliot Prize, and was also a National Book Award finalist; Bethlehem in Broad Daylight (D.R. Godine, 1991); and Turtle, Swan (D.R. Godine, 1987).

In 2010, Graywolf Press published a collection of essays on poetry titled The Art of Description: World into Word, in which Doty asserts that "poetry concretizes the singular, unrepeatable moment; it hammers out of speech a form for how it feels to be oneself."

He has also published Heaven's Coast (HarperCollins, 1996), which received the PEN/Martha Albrand Award for First Nonfiction. Other memoirs by Doty includes Firebird (HarperCollins, 1999), Still Life with Oysters and Lemon: On Objects and Intimacy (Beacon Press, 2000), and Dog Years (HarperCollins, 2007). He has also edited The Best American Poetry 2012.

Doty has received fellowships from the Guggenheim Foundation, the Ingram Merrill Foundation, the National Endowment for the Arts, the Rockefeller Foundation, and the Whiting Foundation. He was elected a Chancellor of the Academy of American Poets in 2011.

He has taught at the University of Houston and is currently serving as a Distinguished Writer at Rutgers University. He currently lives in New York City.


Selected Bibliography

Poetry

A Swarm, A Flock, A Host: A Compendium of Creatures (Prestel, 2013)
Fire to Fire: New and Selected Poems (HarperCollins, 2008)
School of the Arts (HarperCollins, 2005)
Source (HarperCollins, 2002)
Sweet Machine (HarperCollins, 1998)
Atlantis (HarperCollins, 1995)
My Alexandria (University of Illinois Press, 1993)
Bethlehem in Broad Daylight (D.R. Godine, 1991)
Turtle, Swan (D.R. Godine, 1987)

Nonfiction

Dog Years (HarperCollins, 2007)
Still Life with Oysters and Lemon: On Objects and Intimacy (Beacon Press, 2000)
Firebird (HarperCollins, 1999)
Heaven's Coast (HarperCollins, 1996)

Heaven for Stanley

Mark Doty, 1953

For his birthday, I gave Stanley a hyacinth bean,
an annual, so he wouldn't have to wait for the flowers.

He said, Mark, I have just the place for it!
as if he'd spent ninety-eight years

anticipating the arrival of this particular vine.

I thought poetry a brace against time,
the hours held up for study in a voice's cool saline,

but his allegiance is not to permanent forms.
His garden's all furious change,

budding and rot and then the coming up again;

why prefer any single part of the round?
I don't know that he'd change a word of it;

I think he could be forever pleased
to participate in motion. Something opens.

He writes it down. Heaven steadies
and concentrates near the lavender. He's already there.

Copyright © 2005 Mark Doty.

Copyright © 2005 Mark Doty.

Mark Doty

Mark Doty

Mark Doty is the author of several collections of poetry, including Fire to Fire: New and Selected Poems, which received the 2008 National Book Award.

by this poet

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poem
This salt-stain spot
marks the place where men
lay down their heads,
back to the bench,

and hoist nothing
that need be lifted
but some burden they've chosen
this time: more reps,

more weight, the upward shove
of it leaving, collectively,
this sign of where we've been:
shroud-stain, negative

flashed onto the
poem
1.

Peony silks,
	in wax-light:
		that petal-sheen,

gold or apricot or rose
	candled into-
		what to call it,

lumina, aurora, aureole?
	About gowns,
		the Old Masters,


were they ever wrong?
	This penitent Magdalen's
		wrapped in a yellow

so voluptuous
	she seems to wear
		all she's renounced;

this boy