poem index

sign up to receive a new poem-a-day in your inbox

About this poet

Ira Sadoff was born in Brooklyn, New York, on March 7, 1945, of Russian-Jewish ancestry. He earned a BA in industrial and labor relations from Cornell University in 1966 and an MFA from the University of Oregon in 1968. In 1975, he published his first collection of poetry, Settling Down (Houghton Mifflin).

Since then, Sadoff has published several poetry collections, most recently True Faith (BOA Editions, 2012) and Barter (University of Illinois, 2003), which delves into his personal past, specifically concerning love and bereavement, as well as the historical and global past, referencing Beethoven, Vietnam, and the fall of communism. Other recent collections include Grazing (University of Illinois Press, 1998), from which poems were awarded the American Poetry Review's Leonard Shestack Prize, the Pushcart Poetry Prize, and the George Bogin Memorial Prize from the Poetry Society of America; Emotional Traffic (David R. Godine, 1989); A Northern Calendar (David R. Godine, 1981), which charts the arrival and passage of the seasons; and Palm Reading in Winter (Houghton Mifflin, 1978).

About Sadoff's work, the poet Gerald Stern has said, "Nowhere else in American poetry do I come across a passion, a cunning, and a joy greater than his. And a deadly accuracy. I see him as one of the supreme poets of his generation." And on awarding Sadoff the Bogin Memorial Prize, the poet Alan Shapiro said, "Beyond the energetic syntax and the astonishing range of idiom and tone, what I so admire in these poems is the just yet always unpredictable weaving together of individual and collective life, the insightful, almost seamless integration of personal experience in all its unredemptive anguish with the heterogeneous realities of American culture."

Sadoff is also the author of three works of prose, most recently History Matters: Contemporary Poetry on the Margins of American Culture (University of Iowa, 2009), which, through the work of poets like Czeslaw Milosz and Frank O'Hara, argues that poets live and write within history; An Ira Sadoff Reader (Middlebury, 1992), a collection of stories, poems, and essays about contemporary poetry; and Uncoupling (Houghton Mifflin, 1982), a novel.

He is the recipient of fellowships from the National Endowment for the Arts and the John Simon Guggenheim Memorial Foundation. In 1973, he was a fellow at the Squaw Valley Community of Writers, and in 1974, he was the Alan Collins Fellow in Poetry and Prose at the Bread Loaf Writer's Conference. His poetry has been widely anthologized, most recently in The Best American Poetry Series, in 2008.

Sadoff has served as poetry editor of the Antioch Review, and was cofounder of the Seneca Review. He has taught at the Iowa Writers' Workshop, and in the MFA programs of the University of Virginia and Warren Wilson College.

He currently serves as the Arthur Jeremiah Roberts Professor of English at Colby College in Waterville, Maine.


Bibliography

Poetry

True Faith (BOA Editions, 2012)
Barter (University of Illinois, 2003)
Grazing (University of Illinois Press, 1998)
Emotional Traffic (David R. Godine, 1989)
A Northern Calendar (David R. Godine, 1981)
Palm Reading in Winter (Houghton Mifflin, 1978)
Settling Down (Houghton Mifflin, 1975)

Prose

History Matters: Contemporary Poetry on the Margins of American Culture (University of Iowa, 2009)
An Ira Sadoff Reader(Middlebury, 1992)
Uncoupling (Houghton Mifflin, 1982)

February

Ira Sadoff, 1945
A mist appalls the windshield. 
So I still see trees as moral lessons, 
as I pass under them, shadowy and astute.

The glazed aspen branches hover. 
Ice heats up and cracks, road tar steams 
like some animal where the blush 

of cheek is chilled by annunciation. 
I cannot say her face was trauma driven.
I'm still saturated with her, taking in 

her etched-in countenance, otherworldly, 
enveloping, frightening, the face you can't see, 
pressed against it. So how can you imagine 

what it feels like? Their gravity suffices, 
the sealed and straining torsos 
of aspens, an affront to our high-pitched moans, 

feverish with disarray. Our expressions 
have too much God in them, too much cloud, too much 
blood on nail, too much arrow, too much quiver.

"February," from Grazing by Ira Sadoff, published by the University of Illinois Press. Copyright © 1998. Used by permission of the author.

"February," from Grazing by Ira Sadoff, published by the University of Illinois Press. Copyright © 1998. Used by permission of the author.

Ira Sadoff

Ira Sadoff

Ira Sadoff was born in Brooklyn, New York, on March 7, 1945,

by this poet

poem
My first roses brought me to my senses.
All my furies, I launched them like paper boats 
in the algaed pond behind my house. 

First they were pale, then peach and blood red.
You could be merciless trimming them back.
You could be merciless and I needed that.

Emerald green with crimson tips,
these were no
poem
Sometimes I'm so lachrymose I forget I was there
with my darling—I call her my darling to make her
more anonymous, so she can't take up all the space
in my brain. But please, can I continue, or must I

look away from such openness, those spools of light
bringing red and fine threads of silver to her
poem
It's time to put the aside the old resentments; lies,
machinations, the paranoia, bugs in telephones,
the body bags, secret bombings, his sweaty upper lip,
my cousin Arnie, too dumb to go to school,

too virtuous to confess he'd give blow jobs
for nothing at the Paramount, so he lost a leg
in Da Nang. Now it's