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About this poet

Alberto Alvaro Ríos was born on September 18, 1952, in Nogales, Arizona. He received a BA degree in 1974 and an MFA in creative writing in 1979, both from the University of Arizona.

He is the author of several collections of poetry, including The Dangerous Shirt (Copper Canyon Press, 2009); The Theater of Night (Copper Canyon Press, 2006); The Smallest Muscle in the Human Body (Copper Canyon Press, 2002), which was nominated for the National Book Award; Teodora Luna's Two Kisses (W. W. Norton, 1990); The Lime Orchard Woman (Sheep Meadow Press, 1988); Five Indiscretions (Sheep Meadow Press, 1985); and Whispering to Fool the Wind (Sheep Meadow Press, 1982), which won the 1981 Walt Whitman Award, selected by Donald Justice.

Other books by Ríos include Capirotada: A Nogales Memoir (University of New Mexico Press, 1999), The Curtain of Trees: Stories (University of New Mexico Press, 1999), Pig Cookies and Other Stories (Chronicle Books, 1995), and The Iguana Killer: Twelve Stories of the Heart (Blue Moon and Confluence Press, 1984), which won the Western States Book Award.

Ríos's poetry has been set to music in a cantata by James DeMars called "Toto's Say," and on an EMI release, "Away from Home." He was also featured in the documentary Birthwrite: Growing Up Hispanic. His work has been included in more than ninety major national and international literary anthologies, including the Norton Anthology of Modern Poetry.

"Alberto Ríos is a poet of reverie and magical perception," wrote the judges of the 2002 National Book Awards, "and of the threshold between this world and the world just beyond."

He holds numerous awards, including six Pushcart Prizes in both poetry and fiction, the Arizona Governor's Arts Award and fellowships from the Guggenheim Foundation and the National Endowment for the Arts.

Since 1994 he has been Regents Professor of English at Arizona State University in Tempe, where he has taught since 1982. In 2013, Ríos was named the inaugural state poet laureate of Arizona. In 2014, Ríos was elected a Chancellor of the Academy of American Poets.


Selected Bibliography 

The Dangerous Shirt (Copper Canyon Press, 2009)
The Theater of Night (Copper Canyon Press, 2006)
The Smallest Muscle in the Human Body (Copper Canyon Press, 2002)
Teodora Luna's Two Kisses (W. W. Norton, 1990)
The Lime Orchard Woman (Sheep Meadow Press, 1988)
Five Indiscretions (Sheep Meadow Press, 1985)
Whispering to Fool the Wind (Sheep Meadow Press, 1982)

 

 

The Chair She Sits In

Alberto Ríos, 1952

I’ve heard this thing where, when someone dies,
People close up all the holes around the house—

The keyholes, the chimney, the windows,
Even the mouths of the animals, the dogs and the pigs.

It’s so the soul won’t be confused, or tempted.
It’s so when the soul comes out of the body it’s been in

But that doesn’t work anymore,
It won’t simply go into another one

And try to make itself at home,
Pretending as if nothing happened.

There’s no mystery—it’s too much work to move on.
It isn’t anybody’s fault. A soul is like any of us.

It gets used to things, especially after a long life.
The way I sit in my living-room chair,

The indentation I have put in it now
After so many years—that’s how I understand.

It’s my chair,
And I know how to sit in it.

From The Theater of Night by Alberto Ríos. Used with permission by Copper Canyon Press, www.coppercanyonpress.org

From The Theater of Night by Alberto Ríos. Used with permission by Copper Canyon Press, www.coppercanyonpress.org

Alberto Ríos

Alberto Ríos

Born in 1952, Alberto Ríos is the author of several collections of poetry and was the recipient of the 1981 Walt Whitman Award

by this poet

poem
We live in secret cities
And we travel unmapped roads.

We speak words between us that we recognize
But which cannot be looked up.

They are our words.
They come from very far inside our mouths.

You and I, we are the secret citizens of the city
Inside us, and inside us

There go all the cars we have driven
And
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                                              One river gives
                                              Its journey to the next.


We give because someone gave to us.
We give because nobody gave to us.

We give because giving has changed us.
We give because giving could