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About this poet

Born on August 25, 1910 in Galesburg, Illinois, Dorothea Tanning studied at Knox College in her hometown before moving to Chicago to pursue painting at the Art Institute.

Her collections of poetry include Coming to That (Graywolf, 2011) and A Table of Content (2004). She is also the author of two memoirs, Birthday (1986) and Between Lives: An Artist and Her World (2001); and a novel, Chasm (2004).

After discovering Dada and Surrealism at the Museum of Modern Art in 1936, Tanning began working as a painter in New York. As she recounts in her memoirs, when the famed German artist Max Ernst visited her studio in 1942, they played chess, fell in love, and embarked on a life together that soon took them to Sedona, Arizona, and later to Paris and provincial France. She married Ernst in 1946 in a double wedding with artist Man Ray and dancer Juliet Browner.

About her work, Barry Schwabsky, writing for The Nation has said:

As with everything else [Tanning] has turned her hand to, she's made poetry her own...I've never met her, but simply knowing of her existence expands my sense of the possible in art and life.

Her paintings and sculptures are included in major museum collections such as the Tate Gallery, the Centre Pompidou, the Musée de la Ville de Paris, the Philadelphia Museum of Art, and the Chicago Art Institute, among others.

Dorothea Tanning died on January 31, 2012, at the age of 101.

Artist, Once

Dorothea Tanning, 1910 - 2012
That was in a room for rent.
It had a window and a bed,

it was enough for dreaming,
for stunning facts like being

at last, and undeniably
in NYC, enough to hold

enfolded as in a pregnancy,
those not-yet-painted works

to be. They, hanging fire,
slow to come—to come

out—being deep inside her,
oozing metamorphosis

in her warm dark, took
their time and promised.

Fast forward. Trapped in now,
she's not all that sure.

Compared to what entwined
her mind before the test,

before the raw achievement
pat, secure—oh, such bounty

to be lived, yet untasted,
undefined—all the rest...

From Coming to That by Dorothea Tanning. Copyright © 2011 by Dorothea Tanning. Used with permission of Graywolf Press. All rights reserved.

From Coming to That by Dorothea Tanning. Copyright © 2011 by Dorothea Tanning. Used with permission of Graywolf Press. All rights reserved.

Dorothea Tanning

Dorothea Tanning

Dorothea Tanning's collections of poetry include Coming to That (Graywolf, 2011) and A Table of Content (2004)

by this poet

poem
Not that anyone would
notice it at first.
I have taken to marveling
at the trees in our park.
One thing I can tell you:
they are beautiful
and they know it.
They are also tired,
hundreds of years
stuck in one spot—
beautiful paralytics.
When I am under them,
they feel my gaze,
watch me wave my foolish
hand, and
poem
If Art would only talk it would, at last, reveal
itself for what it is, what we all burn to know.

As for our certainties, it would fetch a dry yawn
then take a minute to sweep them under the rug:

certainties time-honored as meaningless as dust
under the rug. High time, my dears, to listen up.

Finally Art
poem
"If it comes to that," he said, "there'll be no
preventing it."
He uttered it as I listened. Had I got it right,
hearing him?
"If it comes to that," is what he said, and,
as if talking
to himself, went on about how there'd be no
preventing it.
He came to that conclusion, saying it in a
slow way of
coming to that