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About this poet

Thomas Hardy, the son of a stonemason, was born in Dorset, England, on June 2, 1840. He trained as an architect and worked in London and Dorset for ten years. Hardy began his writing career as a novelist, publishing Desperate Remedies in 1871, and was soon successful enough to leave the field of architecture for writing. His novels Tess of the D'Urbervilles (1891) and Jude the Obscure (1895), which are considered literary classics today, received negative reviews upon publication and Hardy was criticized for being too pessimistic and preoccupied with sex. He left fiction writing for poetry, and published eight collections, including Wessex Poems (1898) and Satires of Circumstance (1912).

Hardy's poetry explores a fatalist outlook against the dark, rugged landscape of his native Dorset. He rejected the Victorian belief in a benevolent God, and much of his poetry reads as a sardonic lament on the bleakness of the human condition. A traditionalist in technique, he nevertheless forged a highly original style, combining rough-hewn rhythms and colloquial diction with an extraordinary variety of meters and stanzaic forms. A significant influence on later poets (including Frost, Auden, Dylan Thomas, and Philip Larkin), his influence has increased during the course of the century, offering an alternative—more down-to-earth, less rhetorical—to the more mystical and aristocratic precedent of Yeats. Thomas Hardy died on January 11, 1928.


Selected Bibliography

Poetry

Collected Poems (1932)
Moments of Vision (1917)
Satires of Circumstance (1914)
The Dynasts (1908)
Time's Laughingstocks (1909)
Wessex Poems (1898)
Winter Words in Various Moods and Meters (1928)

Letters

A Laodicean (1881)
A Pair of Blue Eyes (1873)
Desperate Remedies (1871)
Far from the Madding Crowd (1876)
Jude the Obscure (1897)
Tess of the D'Urbervilles (1897)
The Hand of Ethelberta (1876)
The Mayor of Casterbridge (1886)
The Return of the Native (1879)
The Trumpet Major (1879)
The Well-Beloved (1897)
The Woodlanders (1887)
Two on a Tower (1882)
Under the Greenwood Tree (1872)

Afterwards

Thomas Hardy, 1840 - 1928
When the Present has latched its postern behind my tremulous stay,
     And the May month flaps its glad green leaves like wings,
Delicate-filmed as new-spun silk, will the neighbours say,
     "He was a man who used to notice such things"? 

If it be in the dusk when, like an eyelid's soundless blink,
     The dewfall-hawk comes crossing the shades to alight
Upon the wind-warped upland thorn, a gazer may think,
     "To him this must have been a familiar sight."

If I pass during some nocturnal blackness, mothy and warm,
     When the hedgehog travels furtively over the lawn,
One may say, "He strove that such innocent creatures should
        come to no harm,
     But he could do little for them; and now he is gone."

If, when hearing that I have been stilled at last, they stand at
        the door,
     Watching the full-starred heavens that winter sees,
Will this thought rise on those who will meet my face no more,
     "He was one who had an eye for such mysteries"?

And will any say when my bell of quittance is heard in the gloom,
     And a crossing breeze cuts a pause in its outrollings,
Till they rise again, as they were a new bell's boom,
     "He hears it not now, but used to notice such things?"

This poem is in the public domain.

This poem is in the public domain.

Thomas Hardy

Thomas Hardy

Thomas Hardy, the son of a stonemason, was born in Dorsetshire, England,

by this poet

poem

Christmas Eve, and twelve of the clock.
    "Now they are all on their knees,"
An elder said as we sat in a flock
    By the embers in hearthside ease.

We pictured the meek mild creatures where
    They dwelt in their strawy pen,
Nor did it occur to one of us there
    To

poem
I

A shaded lamp and a waving blind,
And the beat of a clock from a distant floor:
On this scene enter—winged, horned, and spined—
A longlegs, a moth, and a dumbledore;
While 'mid my page there idly stands
A sleepy fly, that rubs its hands...

II

Thus meet we five, in this still place,
At this
poem
They sing their dearest songs—
He, she, all of them—yea,
Treble and tenor and bass.
And one to play;
With the candles mooning each face...
Ah, no; the years O!
How the sick leaves reel down in throngs!

They clear the creeping moss—
Elders and juniors-—aye,
Making the pathways neat
And the garden gay;
And they