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Within the circuit of this plodding life,
There enter moments of an azure hue,
Untarnished fair as is the violet
Or anemone, when the spring strews them
By some meandering rivulet, which make
The best philosophy untrue that aims
But to console man for his grievances
Huffy Henry hid the day, unappeasable Henry sulked. I see his point,—a trying to put things over. It was the thought that they thought they could do it made Henry wicked & away. But he should have come out and talked. All the world like a woolen lover once did seem on Henry's
From the Italian sonetto, which means "a little sound or song," the sonnet is a popular classical form that has compelled poets for centuries. Traditionally, the sonnet is a fourteen-line poem written in iambic pentameter, which employ one of several rhyme schemes and adhere to a tightly structured thematic organization. Two sonnet forms provide the models from which all other sonnets are formed: the Petrachan and the Shakespearean.
The first and most common sonnet is the Petrarchan, or Italian. Named after one of its greatest practitioners, the Italian poet Petrarch, the Petrarchan sonnet is divided into two stanzas, the octave (the first eight lines) followed by the answering sestet (the final six lines). The tightly woven rhyme scheme, abba, abba, cdecde or cdcdcd, is suited for the rhyme-rich Italian language, though there are many fine examples in English. Since the Petrarchan presents an argument, observation, question, or some other answerable
In April 2014 A Poet’s Glossary by Academy Chancellor Edward Hirsch was published. As Hirsch writes in the preface, “This book—one person’s work, a poet’s glossary—has grown, as if naturally, out of my lifelong interest in poetry, my curiosity about its vocabulary, its forms and genres, its histories and traditions, its classical, romantic, and modern movements, its various outlying groups, its small devices and large mysteries—how it works.” Each week we will feature a term and its definition from Hirsch’s new book.
proverb: A terse didactic statement that embodies a general truth, the proverb is short and pithy, akin to the aphorism and the maxim, and draws attention to itself as a formal artistic entity. Folk and traditional proverbs are well-known expressions, usually the length of a simple sentence, that function in conversation. They are part of daily discourse. They also operate in educational situations and judicial proceedings. Proverbs take personal circumstances
I write because I would like to live forever. The fact of my future death offends me. Part of this derives from my sense of my own insignificance in the universe. My life and death are a barely momentary flicker. I would like to become more than that. That the people and things I love will die wounds me as well. I seek to immortalize the world I have found and made for myself, even knowing that I won't be there to witness that immortality, mine or my work's, that by definition I will never know whether my endeavor has been successful. But when has impossibility ever deterred anyone from a cherished goal? As the brilliant poet and teacher Alvin Feinman once said to me, "Poetry is always close kin to the impossible, isn't it?"
My aim is to rescue some portion of the drowned and drowning, including always myself. For a long time my poetry emerged from and was fueled by an impulse to rescue my mother from her own death and from the wreckage of her life, out of which I