poem index

The Line Between "Sur" and "Real"

What does it mean to see a word?
The Line Between "Sur" and "Real"
next
Choose Life
André Breton
Choose life instead of those prisms with no depth even if their colors are purer
Instead of this hour always hidden instead of these terrible vehicles of cold flame
Instead of these overripe stones
Choose this heart with its safety catch
Instead of that murmuring pool
And that white fabric singing in the air and the earth at the same time
Instead of that marriage blessing joining my forehead to total vanity's
                                               Choose life



Choose life with its conspiratorial sheets
Its scars from escapes
Choose life choose that rose window on my tomb
The life of being here nothing but being here
Where one voice says Are you there where another answers Are you there
I'm hardly here at all alas
And even when we might be making fun of what we kill
                                               Choose life



Choose life choose life venerable Childhood
The ribbon coming out of a fakir
Resembles the playground slide of the world
Though the sun is only a shipwreck
Insofar as a woman's body resembles it
You dream contemplating the whole length of its trajectory
Or only while closing your eyes on the adorable storm named your hand
                                               Choose life



Choose life with its waiting rooms
When you know you'll never be shown in
Choose life instead of those health spas
Where you're served by drudges
Choose life unfavorable and long
When the books close again here on less gentle shelves
And when over there the weather would be better than better it would be free yes
                                               Choose life



Choose life as the pit of scorn
With that head beautiful enough
Like the antidote to that perfection it summons and it fears
Life the makeup on God's face
Life like a virgin passport
A little town like Pont-á-Mousson
And since everything's already been said
                                               Choose life instead
The Line Between "Sur" and "Real"
next
Jabberwocky
Lewis Carroll, 1832 - 1898
'Twas brillig, and the slithy toves 
   Did gyre and gimble in the wabe;
All mimsy were the borogoves,
   And the mome raths outgrabe.

"Beware the Jabberwock, my son 
   The jaws that bite, the claws that catch!
Beware the Jubjub bird, and shun 
   The frumious Bandersnatch!"

He took his vorpal sword in hand; 
   Long time the manxome foe he sought—
So rested he by the Tumtum tree, 
   And stood awhile in thought.

And, as in uffish thought he stood, 
   The Jabberwock, with eyes of flame,
Came whiffling through the tulgey wood, 
   And burbled as it came!

One, two! One, two! And through and through 
   The vorpal blade went snicker-snack!
He left it dead, and with its head 
   He went galumphing back.

"And hast thou slain the Jabberwock? 
   Come to my arms, my beamish boy!
O frabjous day! Callooh! Callay!" 
   He chortled in his joy.

'Twas brillig, and the slithy toves 
   Did gyre and gimble in the wabe;
All mimsy were the borogoves,
   And the mome raths outgrabe.
The Line Between "Sur" and "Real"
next
Howl, Parts I & II
Allen Ginsberg, 1926 - 1997

For Carl Solomon

I saw the best minds of my generation destroyed by madness,
     starving hysterical naked,
dragging themselves through the negro streets at dawn looking 
     for an angry fix,
angelheaded hipsters burning for the ancient heavenly
     connection to the starry dynamo in the machinery of night,
who poverty and tatters and hollow-eyed and high sat up smoking 
     in the supernatural darkness of cold-water flats floating 
     across the tops of cities contemplating jazz,
who bared their brains to Heaven under the El and saw
     Mohammedan angels staggering on tenement roofs 
     illuminated,
who passed through universities with radiant cool eyes
     hallucinating Arkansas and Blake-light tragedy among the 
     scholars of war,
who were expelled from the academies for crazy & publishing 
     obscene odes on the windows of the skull,
who cowered in unshaven rooms in underwear, burning their 
     money in wastebaskets and listening to the Terror through
     the wall,
who got busted in their pubic beards returning through Laredo 
     with a belt of marijuana for New York,
who ate fire in paint hotels or drank turpentine in Paradise 
     Alley, death, or purgatoried their torsos night after night
with dreams, with drugs, with waking nightmares, alcohol and
     cock and endless balls,
incomparable blind streets of shuddering cloud and lightning in 
     the mind leaping toward poles of Canada & Paterson, 
     illuminating all the motionless world of Time between,
Peyote solidities of halls, backyard green tree cemetery dawns,
     wine drunkenness over the rooftops, storefront boroughs of 
     teahead joyride neon blinking traffic light, sun and moon 
     and tree vibrations in the roaring winter dusks of Brooklyn, 
     ashcan rantings and kind king light of mind,
who chained themselves to subways for the endless ride from 
     Battery to holy Bronx on benzedrine until the noise of 
     wheels and children brought them down shuddering 
     mouth-wracked and battered bleak of brain all drained of 
     brilliance in the drear light of Zoo,
who sank all night in submarine light of Bickford's floated out 
     and sat through the stale beer afternoon in desolate 
     Fugazzi's, listening to the crack of doom on the hydrogen 
     jukebox, 
who talked continuously seventy hours from park to pad to bar to 
     Bellevue to museum to the Brooklyn Bridge,
a lost battalion of platonic conversationalists jumping down the 
     stoops off fire escapes off windowsills of Empire State out 
     of the moon,
yacketayakking screaming vomiting whispering facts and 
     memories and anecdotes and eyeball kicks and shocks of 
     hospitals and jails and wars,
whole intellects disgorged in total recall for seven days and 
     nights with brilliant eyes, meat for the Synagogue cast on 
     the pavement,
who vanished into nowhere Zen New Jersey leaving a trail of 
     ambiguous picture postcards of Atlantic City Hall,
suffering Eastern sweats and Tangerian bone-grindings and 
     migraines of China under junk-withdrawal in Newark's bleak 
     furnished room,
who wandered around and around at midnight in the railroad
     yard wondering where to go, and went, leaving no broken
     hearts,
who lit cigarettes in boxcars boxcars boxcars racketing
     through snow toward lonesome farms in grandfather night,
who studied Plotinus Poe St. John of the Cross telepathy and 
     bop kabbalah because the cosmos instinctively vibrated at
     their feet in Kansas, who loned it through the streets of
     Idaho seeking visionary indian angels who were visionary
     indian angels,
who thought they were only mad when Baltimore gleamed in
     supernatural ecstasy,
who jumped in limousines with the Chinaman of Oklahoma on
     the impulse of winter midnight streetlight smalltown rain,
who lounged hungry and lonesome through Houston seeking jazz
     or sex or soup, and followed the brilliant Spaniard to
     converse about America and Eternity, a hopeless task, and
     so took ship to Africa,
who disappeared into the volcanoes of Mexico leaving behind
     nothing but the shadow of dungarees and the lava and ash of
     poetry scattered in fireplace Chicago,
who reappeared on the West Coast investigating the FBI in
     beards and shorts with big pacifist eyes sexy in their dark
     skin passing out incomprehensible leaflets,
who burned cigarette holes in their arms protesting the
     narcotic tobacco haze of Capitalism,
who distributed Supercommunist pamphlets in Union Square
     weeping and undressing while the sirens of Los Alamos
     wailed them down, and wailed down Wall, and the Staten
     Island ferry also wailed,
who broke down crying in white gymnasiums naked and
     trembling before the machinery of other skeletons,
who bit detectives in the neck and shrieked with delight in
     policecars for committing no crime but their own wild
     cooking pederasty and intoxication,
who howled on their knees in the subway and were dragged off
     the roof waving genitals and manuscripts,
who let themselves be fucked in the ass by saintly motorcyclists,
     and screamed with joy,
who blew and were blown by those human seraphim, the sailors,
     caresses of Atlantic and Caribbean love,
who balled in the morning in the evenings in rosegardens and
     the grass of public parks and cemeteries scattering their
     semen freely to whomever come who may,
who hiccuped endlessly trying to giggle but wound up with a sob
     behind a partition in a Turkish Bath when the blond & naked
     angel came to pierce them with a sword,
who lost their loveboys to the three old shrews of fate the one  
     eyed shrew of the heterosexual dollar the one eyed shrew
     that winks out of the womb and the one eyed shrew that does
     nothing but sit on her ass and snip the intellectual golden
     threads of the craftsman's loom.
who copulated ecstatic and insatiate with a bottle of beer a
     sweetheart a package of cigarettes a candle and fell off the
     bed, and continued along the floor and down the hall and
     ended fainting on the wall with a vision of ultimate cunt
     and come eluding the last gyzym of consciousness,
who sweetened the snatches of a million girls trembling in the
     sunset, and were red eyed in the morning but prepared to
     sweeten the snatch of the sunrise, flashing buttocks under
     barns and naked in the lake,
who went out whoring through Colorado in myriad stolen
     night-cars, N.C., secret hero of these poems, cocksman and
     Adonis of Denver--joy to the memory of his innumerable lays
     of girls in empty lots & diner backyards, moviehouses'
     rickety rows, on mountaintops in caves or with gaunt
     waitresses in familiar roadside lonely petticoat upliftings
     & especially secret gas-station solipsisms of johns, &
     hometown alleys too,
who faded out in vast sordid movies, were shifted in dreams,
     woke on a sudden Manhattan, and picked themselves up out
     of basements hungover with heartless Tokay and horrors of
     Third Avenue iron dreams & stumbled to unemployment
     offices,
who walked all night with their shoes full of blood on the
     snowbank docks waiting for a door in the East River to open
     to a room full of steamheat and opium,
who created great suicidal dramas on the apartment cliff-banks of
     the Hudson under the wartime blue floodlight of the moon &
     their heads shall be crowned with laurel in oblivion,
who ate the lamb stew of the imagination or digested the crab at
     the muddy bottom of the rivers of Bowery,
who wept at the romance of the streets with their pushcarts full
     of onions and bad music,
who sat in boxes breathing in the darkness under the bridge, and
     rose up to build harpsichords in their lofts,

who coughed on the sixth floor of Harlem crowned with flame
     under the tubercular sky surrounded by orange crates of
     theology,
who scribbled all night rocking and rolling over lofty incantations
     which in the yellow morning were stanzas of gibberish,
who cooked rotten animals lung heart feet tail borsht & tortillas
     dreaming of the pure vegetable kingdom,
who plunged themselves under meat trucks looking for an egg,
who threw their watches off the roof to cast their ballot for
     Eternity outside of Time, & alarm clocks fell on their heads
     every day for the next decade,
who cut their wrists three times successively unsuccessfully, gave
     up and were forced to open antique stores where they thought
     they were growing old and cried,
who were burned alive in their innocent flannel suits on Madison
     Avenue amid blasts of leaden verse & the tanked-up clatter of
     the iron regiments of fashion & the nitroglycerine shrieks of
     the fairies of advertising & the mustard gas of sinister
     intelligent editors, or were run down by the drunken taxicabs
     of Absolute Reality,
who jumped off the Brooklyn Bridge this actually happened and
     walked away unknown and forgotten into the ghostly daze of
     Chinatown soup alleyways & firetrucks, not even one free
     beer,
who sang out of their windows in despair, fell out of the subway
     window, jumped in the filthy Passaic, leaped on negroes, cried
     all over the street, danced on broken wineglasses barefoot
     smashed phonograph records of nostalgic European 1930s
     German jazz finished the whiskey and threw up groaning into
     the bloody toilet, moans in their ears and the blast of
     colossal steamwhistles,
who barreled down the highways of the past journeying to the
     each other's hotrod-Golgotha jail-solitude watch or
     Birmingham jazz incarnation, who drove crosscountry
     seventytwo hours to find out if I had a vision or you had
     a vision or he had a vision to find out Eternity,
who journeyed to Denver, who died in Denver, who came back to
     Denver & waited in vain, who watched over Denver &
     brooded & loned in Denver and finally went away to find
     out the Time, & now Denver is lonesome for her heroes,
who fell on their knees in hopeless cathedrals praying for each
     other's salvation and light and breasts, until the soul
     illuminated its hair for a second, 
who crashed through their minds in jail waiting for impossible
     criminals with golden heads and the charm of reality in their
     hearts who sang sweet blues to Alcatraz,
who retired to Mexico to cultivate a habit, or Rocky Mount to
     tender Buddha or Tangiers to boys or Southern Pacific to the
     black locomotive or Harvard to Narcissus to Woodlawn to the
     daisychain or grave,
who demanded sanity trials accusing the radio of hypnotism &
     were left with their insanity & their hands & a hung jury,
who threw potato salad at CCNY lecturers on Dadaism and
     subsequently presented themselves on the granite steps of
     the madhouse with shaven heads and harlequin speech of
     suicide, demanding instantaneous lobotomy,
and who were given instead the concrete void of insulin Metrazol
     electricity hydrotherapy psychotherapy occupational therapy
     pingpong & amnesia,
who in humorless protest overturned only one symbolic pingpong
     table, resting briefly in catatonia,
returning years later truly bald except for a wig of blood, and
     tears and fingers, to the visible madman doom of the wards of
     the madtowns of the East,
Pilgrim State's Rockland's and Greystone's foetid halls, bickering
     with the echoes of the soul, rocking and rolling in the
     midnight solitude-bench dolmen-realms of love, dream of life
     a nightmare, bodies turned to stone as heavy as the moon,
with mother finally ******, and the last fantastic book flung out
     of the tenement window, and the last door closed at 4 a.m.
     and the last telephone slammed at the wall in reply and the
     last furnished room emptied down to the last piece of mental
     furniture, a yellow paper rose twisted on a wire hanger in the
     closet, and even that imaginary, nothing but a hopeful little
     bit of hallucination--
ah, Carl, while you are not safe I am not safe, and now you're
     really in the total animal soup of time--
and who therefore ran through the icy streets obsessed with a
     sudden flash of the alchemy of the use of the ellipse the
     catalog the meter & the vibrating plane,
who dreamt and made incarnate gaps in Time & Space through
     images juxtaposed, and trapped the archangel of the soul
     between 2 visual images and joined the elemental verbs and
     set the noun and dash of consciousness together jumping
     with sensation of Pater Omnipotens Aeterna Deus
to recreate the syntax and measure of poor human prose and
     stand before you speechless and intelligent and shaking
     with shame, rejected yet confessing out the soul to conform
     to the rhythm of thought in his naked and endless head,
the madman bum and angel beat in Time, unknown, yet putting
     down here what might be left to say in time come after
     death,
and rose reincarnate in the ghostly clothes of jazz in the goldhorn
     shadow of the band and blew the suffering of America's naked
     mind for love into an eli eli lamma lamma sabacthani
     saxophone cry that shivered the cities down to the last radio
with the absolute heart of the poem of life butchered out of their
     own bodies good to eat a thousand years.

 

II

What sphinx of cement and aluminum bashed open their skulls
     and ate up their brains and imagination?
Moloch! Solitude! Filth! Ugliness! Ashcans and unobtainable
     dollars! Children screaming under the stairways! Boys
     sobbing in armies!  Old men weeping in the parks!
Moloch! Moloch! Nightmare of Moloch! Moloch the loveless! 
     Mental Moloch! Moloch the heavy judger of men!
Moloch the incomprehensible prison! Moloch the crossbone
     soulless jailhouse and Congress of sorrows! Moloch
     whose buildings are judgment! Moloch the vast stone of
     war! Moloch the stunned governments!
Moloch whose mind is pure machinery! Moloch whose blood is
     running money! Moloch whose fingers are ten armies! 
     Moloch whose breast is a cannibal dynamo!  Moloch whose
     ear is a smoking tomb!
Moloch whose eyes are a thousand blind windows! Moloch whose
     skyscrapers stand in the long streets like endless
     Jehovahs! Moloch whose factories dream and croak in the
     fog! Moloch whose smokestacks and antennae crown the 
     cities!
Moloch whose love is endless oil and stone! Moloch whose soul is
     electricity and banks! Moloch whose poverty is the specter
     of genius! Moloch whose fate is a cloud of sexless
     hydrogen! Moloch whose name is the Mind!
Moloch in whom I sit lonely! Moloch in whom I dream Angels! 
     Crazy in Moloch! Cocksucker in Moloch! Lacklove and
     manless in Moloch!
Moloch who entered my soul early! Moloch in whom I am a
     consciousness without a body! Moloch who frightened me out
     of my natural ecstasy! Moloch whom I abandon! Wake up in
     Moloch! Light streaming out of the sky!
Moloch! Moloch! Robot apartments! invisible suburbs! skeleton
     treasuries! blind capitals! demonic industries! spectral
     nations! invincible mad houses granite cocks! monstrous
     bombs! 
They broke their backs lifting Moloch to Heaven! Pavements,
     trees, radios, tons! lifting the city to Heaven which exists
     and is everywhere about us! 
Visions! omens! hallucinations! miracles! ecstasies! gone down the
     American river! 
Dreams! adorations! illuminations! religions! the whole boatload
     of sensitive bullshit! 
Breakthroughs! over the river! flips and crucifixions! gone down
     the flood! Highs! Epiphanies! Despairs! Ten years' animal
     screams and suicides! Minds! New loves! Mad generation! 
     down on the rocks of Time!
Real holy laughter in the river! They saw it all! the wild eyes! the
     holy yells! They bade farewell! They jumped off the roofl to
     solitude! waving! carrying flowers! Down to the river! into the
     street!
The Line Between "Sur" and "Real"
next
Hellish Night
Arthur Rimbaud, 1854 - 1891

I've swallowed a terrific mouthful of poison.—Blessings three times over on the impulse that came to me!—My guts are on fire. The poison's violence twists my limbs, deforms me, knocks me down. I'm dyng of thirst, I'm choking, I can't scream. It's hell, endless pain! Look how the fire flashes up! I'm burning nicely. Go on, demon!

I'd caught a glimpse of conversion to goodness and happiness, salvation. Can I describe the vision? Hell's atmosphere won't suffer hymns! There were millions of charming people, a sweet spiritual concert, strength and peace, noble ambitions, who knows?

Noble ambitions!

And this is still life!— What if damnation's everlasting! A man who wants to mutilate himself is pretty well damned, right? I think I'm in hell, therefore I am. It's the catechism come true. I'm the slave of my baptism. Parents, you've created my tortures and yours.—Poor nitwit! Hell can't wield power over pagans.— This is still life! Later on, the delights of damnation will be much deeper. A crime, quick, so I can plunge into nothingness in accordance with human law.

Shut up, will you shut up. .. ! There's disgrace and reproaches here—Satan who says the fire's contemptible, who says my temper's desperately silly.— Enough. .. ! Errors they're whispering to me, magic, misleading perfumes, childish music.—And to think I'm dealing in truth, I'm looking at justice: my reasoning powers are sane and sound, I'm ready for perfection. .. Pride.—My scalp is drying up. Help! Lord, I'm scared. I'm thirsty, so thirsty! O childhood, the grass, the rain, the lake water on stones, the moonlight when the hell struck twelve. . . . The devil's in the tower right now. Mary! Holy Virgin. . . !— Loathing for my blunder.

Out there, aren't those virtuous souls who are wishing me well. . . ? Come.. .. I've got a pillow over my mouth, they won't hear me, they're ghosts. Besides, no one ever thinks of others. Don't come near me. I smell of heresy, that's for sure.

No end to these hallucinations. It's exactly what I've always known: no more faith in history, principles forgotten. I'll keep quiet: poets and visionaries would be jealous. I'm a thousand times richer, let's be miserly like the sea.

Well now! the clock of life stopped a few minutes ago. I'm not in the world any more.— Theology's a serious thing, hell is certainly way down—and heaven's above.—Ecstasy, nightmare, sleep in a nest of flames.

How malicious one's outlook in the country. . . Satan—Old Scratch——goes running around with the wild grain. . . Jesus is walking on the blackberry bushes without bending them. .. Jesus used to walk on troubled waters. The lantern revealed him to us, standing, pale with long brownish hair, on the crest of an emerald wave. . . .

I'm going to unveil all the mysteries: religious mysteries or natural, death, birth, future, past, cosmogony, nothingness. I'm a master of hal— lucinations.

Listen...!

I've got all the talents!— There's no one here and there's someone: I wouldn't want to waste my treasure.—Do you want nigger songs, houri dances? Do you want me to disappear, to dive down for the ring? Do you want that? I'm going to make gold. . . remedies.

Then have faith in me, faith is soothing, it guides, it cures. Come, all of you—even the little children—and I'll comfort you, I'll spill out my heart for you,—the marvelous heart!—Poor men, workers! I don't ask for your prayers. With your trust alone, I'll be happy.

—And what about me? All of this doesn't make me miss the world much. I'm lucky not to suffer more. My life was nothing but lovely mistakes, it's too bad.

Bah! let's make every possible ugly face.

We're out of the world, for sure. Not even a sound. My touch has disappeared. Ah, my castle, my Saxony, my willow woods. Evenings, mornings, nights, days. . . I'm worn out!

I should have my hell for anger, my hell for conceit—and the hell of caresses: a concert of hells.

I'm dying of tiredness. It's the grave, horror of horrors, I'm going to the worms! Satan, you joker, you want to melt me down with your charms. I demand it, I demand it! a poke of the pitchfork, a drop of fire. Ah, to come back to life again! To feast my eyes on our deformities.

And that poison, that kiss a thousand times damned! My weakness, the world's cruelty! My God, mercy, hide me, I always misbehave!—I'm hidden and then again I'm not.

It's the fire flaring up again with its damned!

The Line Between "Sur" and "Real"
next
Identity of Images
Robert Desnos, 1900 - 1945
I am fighting furiously with animals and bottles
In a short time perhaps ten hours have passed one
   after another
The beautiful swimmer who was afraid of coral wakes
   this morning
Coral crowned with holly knocks on her door
Ah! coal again always coal
I conjure you coal tutelary genius of dreams and my
   solitude let me let me speak again of the beautiful
   swimmer who was afraid of coral
No longer tyrannize this seductive subject of my
   dreams
The beautiful swimmer was reposing in a bed of lace
   and birds
The clothes on a chair at the foot of the bed were
   illuminated by gleams the last gleams of coal
The one that had come from the depths of the sky and 
   earth and sea was proud of its coral beak and great
   wings of crape
All night long it had followed divergent funerals toward
   suburban cemeteries
It had been to embassy balls marked white satin gowns with
   its imprint a fern leaf
It had risen terribly before ships and the ships had not 
   returned
Now crouched in the chimney it was watching for the 
   waking of foam and singing of kettles
Its resounding step had disturbed the silence of nights
   in streets with sonorous pavements
Sonorous coal coal master of dreams coal
Ah tell me where is that beautiful swimmer the swimmer
   who was afraid of coral?
But the swimmer herself has gone back to sleep
And I remain face to face with the fire and shall remain
   through the night interrogating the coal with wings of
   darkness that persists in projecting on my monotonous
   road the shadow of its smoke and the terrible 
   reflections of its embers
Sonorous coal coal pitiless coal

Identité des images

Je me bats avec fureur contre des animaux et des bouteilles
Depuis peu de temps peut-être dix heures sont
   passées l'une après l'autre
La belle nageuse qui avait peur du corail ce matin s'éveille
Le corail couronné de houx frappe à sa porte
Ah! encore le charbon toujours le charbon
Je t'en conjure charbon génie tutélaire du rêve et da ma
   solitude laisse-moi laisse-moi parler encore de la
   belle nageuse qui avait peur du corail
Ne tyrannise plus ce séduisant sujet de mes rêves
La belle nageuse reposait dans un lit de dentelles et d'oiseaux
Les vêtements sur une chaise au pied du lit étaient
   illuminés par les lueurs les dernières lueurs du charbon
Celui-ci venu des profondeurs du ciel de la terre et
   de la mer était fier de son bec de corail et de ses
   grandes ailes de crêpe
Il avait toute la nuit suivi des enterrements
   divergents vers des cimetières suburbains
Il avait assisté à des bals dans les ambassades
   marqué de son empreinte une feuille de fougère
   des robes de satin blanc
It s'était dressé terrible à l'avant des navires et les
   navires n'étaient pas revenus
Maintenant tapi dans la cheminée il guettait le
   réveil de l'écume et le chant des bouilloires
Son pas retentissant avait troublé le silence des
   nuits dans les rues aux pavés sonores
Charbon sonore charbon maître du rêve charbon
Ah dis-moi où est-elle cette belle nageuse cette
   nageuse qui avait peur du corail?
Mais la nageuse elle-même s'est rendormie
Et je reste face à face avec le feu et je resterai
   la nuit durant à interroger le charbon aux ailes
   de ténèbres qui persiste à projeter sur mon
   chemin monotone l'ombre de ses fumées et le 
   reflet terrible de ses braises
Charbon sonore charbon impitoyable charbon.
The Line Between "Sur" and "Real"
next
The Helmsman
H. D., 1886 - 1961
O be swift—
we have always known you wanted us.

We fled inland with our flocks.
we pastured them in hollows,
cut off from the wind
and the salt track of the marsh.

We worshipped inland—
we stepped past wood-flowers,
we forgot your tang,
we brushed wood-grass.

We wandered from pine-hills
through oak and scrub-oak tangles,
we broke hyssop and bramble,
we caught flower and new bramble-fruit
in our hair: we laughed
as each branch whipped back,
we tore our feet in half-buried rocks
and knotted roots and acorn-cups.

We forgot—we worshipped,
we parted green from green,
we sought further thickets,
we dipped our ankles
through leaf-mould and earth,
and wood and wood-bank enchanted us—

and the feel of the clefts in the bark,
and the slope between tree and tree—
and a slender path strung field to field
and wood to wood
and hill to hill
and the forest after it.

We forgot—for a moment
tree-resin, tree-bark,
sweat of a torn branch
were sweet to taste.

We were enchanted with the fields,
the tufts of coarse grass—
in the shorter grass—
we loved all this.

But now, our boat climbs—hesitates—drops—
climbs—hesitates—crawls back—
climbs—hesitates—
O, be swift—
we have always known you wanted us.
The Line Between "Sur" and "Real"
next
O Me! O Life!
Walt Whitman, 1819 - 1892
O Me! O life!... of the questions of these recurring;   
Of the endless trains of the faithless—of cities fill’d with the foolish;   
Of myself forever reproaching myself, (for who more foolish than I, and who  more faithless?)   
Of eyes that vainly crave the light—of the objects mean—of the struggle ever renew’d;   
Of the poor results of all—of the plodding and sordid crowds I see around me;          
Of the empty and useless years of the rest—with the rest me intertwined;   
The question, O me! so sad, recurring—What good amid these, O me, O life?   
   
                                                        Answer.

That you are here—that life exists, and identity;   
That the powerful play goes on, and you will contribute a verse.
The Line Between "Sur" and "Real"
next
Fable
Ralph Waldo Emerson, 1803 - 1882
The mountain and the squirrel   
Had a quarrel;   
And the former called the latter ‘Little Prig.’ 
Bun replied,   
‘You are doubtless very big;          
But all sorts of things and weather   
Must be taken in together,   
To make up a year   
And a sphere.   
And I think it no disgrace   
To occupy my place.   
If I'm not so large as you,   
You are not so small as I,   
And not half so spry.   
I'll not deny you make   
A very pretty squirrel track;   
Talents differ; all is well and wisely put;   
If I cannot carry forests on my back,   
Neither can you crack a nut.’
The Line Between "Sur" and "Real"
next
Watermelons
Charles Simic, 1938
Green Buddhas
On the fruit stand.
We eat the smile
And spit out the teeth.