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FURTHER READING
Related Prose
Bright Star: Campion's Film About the Life and Love of Keats
A Brief Guide to Romanticism
Romantic Poets
Edgar Allan Poe
Percy Bysshe Shelley
Samuel Taylor Coleridge
Walt Whitman
William Blake
William Wordsworth
External Links
John Keats Exhibition
Photos, manuscripts and audio clips from an exhibit at the British Library
Keats-Shelley Journal Bibliography
Lists of books, articles, reviews, dissertations, and other resources about late Romantic writers.
Romanticism on the Net
An international, peer-reviewed electronic journal devoted to British Romantic studies, edited by Michael Eberle-Sinatra.
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John Keats
Joseph Severn's miniature of Keats, 1819

John Keats

English Romantic poet John Keats was born on October 31, 1795, in London. The oldest of four children, he lost both his parents at a young age. His father, a livery-stable keeper, died when Keats was eight; his mother died of tuberculosis six years later. After his mother's death, Keats's maternal grandmother appointed two London merchants, Richard Abbey and John Rowland Sandell, as guardians. Abbey, a prosperous tea broker, assumed the bulk of this responsibility, while Sandell played only a minor role. When Keats was fifteen, Abbey withdrew him from the Clarke School, Enfield, to apprentice with an apothecary-surgeon and study medicine in a London hospital. In 1816 Keats became a licensed apothecary, but he never practiced his profession, deciding instead to write poetry.

John Keats in Bright Star:
"A poem needs understanding through the senses. The point of diving in a lake is not immediately to swim to the shore..."

Around this time, Keats met Leigh Hunt, an influential editor of the Examiner, who published his sonnets "On First Looking into Chapman's Homer" and "O Solitude." Hunt also introduced Keats to a circle of literary men, including the poets Percy Bysshe Shelley and William Wordsworth. The group's influence enabled Keats to see his first volume, Poems by John Keats, published in 1817. Shelley, who was fond of Keats, had advised him to develop a more substantial body of work before publishing it. Keats, who was not as fond of Shelley, did not follow his advice. Endymion, a four-thousand-line erotic/allegorical romance based on the Greek myth of the same name, appeared the following year. Two of the most influential critical magazines of the time, the Quarterly Review and Blackwood's Magazine, attacked the collection. Calling the romantic verse of Hunt's literary circle "the Cockney school of poetry," Blackwood's declared Endymion to be nonsense and recommended that Keats give up poetry. Shelley, who privately disliked Endymion but recognized Keats's genius, wrote a more favorable review, but it was never published. Shelley also exaggerated the effect that the criticism had on Keats, attributing his declining health over the following years to a spirit broken by the negative reviews.

Keats spent the summer of 1818 on a walking tour in Northern England and Scotland, returning home to care for his brother, Tom, who suffered from tuberculosis. While nursing his brother, Keats met and fell in love with a woman named Fanny Brawne. Writing some of his finest poetry between 1818 and 1819, Keats mainly worked on "Hyperion," a Miltonic blank-verse epic of the Greek creation myth. He stopped writing "Hyperion" upon the death of his brother, after completing only a small portion, but in late 1819 he returned to the piece and rewrote it as "The Fall of Hyperion" (unpublished until 1856). That same autumn Keats contracted tuberculosis, and by the following February he felt that death was already upon him, referring to the present as his "posthumous existence."

In July 1820, he published his third and best volume of poetry, Lamia, Isabella, The Eve of St. Agnes, and Other Poems. The three title poems, dealing with mythical and legendary themes of ancient, medieval, and Renaissance times, are rich in imagery and phrasing. The volume also contains the unfinished "Hyperion," and three poems considered among the finest in the English language, "Ode on a Grecian Urn," "Ode on Melancholy," and "Ode to a Nightingale." The book received enthusiastic praise from Hunt, Shelley, Charles Lamb, and others, and in August, Frances Jeffrey, influential editor of the Edinburgh Review, wrote a review praising both the new book and Endymion.

The fragment "Hyperion" was considered by Keats's contemporaries to be his greatest achievement, but by that time he had reached an advanced stage of his disease and was too ill to be encouraged. He continued a correspondence with Fanny Brawne and—when he could no longer bear to write to her directly—her mother, but his failing health and his literary ambitions prevented their getting married. Under his doctor's orders to seek a warm climate for the winter, Keats went to Rome with his friend, the painter Joseph Severn. He died there on February 23, 1821, at the age of twenty-five, and was buried in the Protestant cemetery.

A Selected Bibliography

Poetry

Poems (1817)
Endymion: A Poetic Romance (1818)
Lamia, Isabella, The Eve of St. Agnes, and Other Poems (1820)
Collections: The Poetical Works of Coleridge, Shelley, and Keats (1831)
The Poetical Works and Other Writings of John Keats (1883)
The Poems of John Keats (1970)
The Poems of John Keats (1978)

Prose

Life, Letters, and Literary Remains of John Keats (1848)
The Letters of John Keats (1958)
Letters of John Keats: A New Selection (1970)

Drama

King Stephen: A Dramatic Fragment (1819)
Otho The Great: A Dramatic Fragment (1819)

Poems by
John Keats

Endymion, Book I, [A thing of beauty is a joy for ever]
Lamia [Left to herself]
After dark vapors have oppress'd our plains
Bright Star
I cry your mercy—pity—love!—ay, love
In drear nighted December
La Belle Dame Sans Merci
Ode on a Grecian Urn
Ode to a Nightingale
On First Looking into Chapman's Homer
On Seeing the Elgin Marbles
On the Grasshopper and the Cricket
The day is gone, and all its sweets are gone
The Eve of St. Agnes, XXIII, [Out went the taper as she hurried in]
The Human Seasons
This Living Hand
To a Friend who sent me some Roses
To Autumn
To Fanny
To Haydon with a Sonnet Written on Seeing the Elgin Marbles
When I Have Fears that I May Cease to Be

Prose by
John Keats

Selected Love Letters to Fanny Brawne

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