The Patient

Gillian Conoley

 
I am patient. That is my mineral fact.
         I have long term storage in double helixes
my two long polymers of nucleotides
         my backbone made of sugars and phosphate groups
joined by ester bonds. I see imagist pears dissolving down
golden arms I hear needle-less the sleep aid cd's
         real violins, then float blue-black
at the eventide, injure
         of the taut to and fro, cut-back
asphalt road, a path of greening twigs nourishing
nothing personal. Root stocks
         of the best grapes, balm
for the honeybee's bite, lyme's flea—
         money chimes in the community bowl,
with patience I can sit on this bench
and wait for the ironworks of a previous century
         to reverse themselves, or I can lie in the grass,
vision the airplane's scatter-lit
         hallway, the descent
only a little shaky
             like the trouble between art and life rolling you out
into an unpainted landscape,
the unbelted intoxication of travel    unstable as a chemical's twisted briar
medicine or drug    licit or illicit
                or afterimage
                time to move along
it's pathos time
        dodge a supreme fear
pathos—
                                        Patience was crowding anxiety
                              Patience's tired tongue was breaking a bone,
                                   while the twin and drone
                           to be patient with
hovered over
our uncharted, rimless wants,
rictus a slit vowel—
                                  La vida,
                                  a mess of dominoes
                                  face down.
I am a pilot light
                                 desiring more recognition,
                                 I suck grass
                                 to the dead inside.
The sleep aid cd & Hippocratic oath     mixed up good
in the cocktail of my head    spoken into like commerce's cavity,
cavity or skylight    opening to the early spring blossoms
in the airless baggage claim
                                       SANCHEZ in stencil font
                                       stitched to my desert fatigues
holding luggage    looking for someone to pick me up
I can be both
life-charged and dead
in consecutive units,
exited to like
turnpike rest stop's    promisingly lit
pagoda, a respite    for the humans stopping and returning,
            the humans predicating,
a human is someone
who has wandered in from the desert.
I am patience in a substance clothed.
truly a creepy troll
truly a creepy troll
a human is the one
continuing to close
Christ's eyes
on the great crucifixes
wagering will there    now be some inevitable progress.     In a tone pour,
the erotics of the electronics    swelling the house
and trailing to the sidewalk,
        skip to sound
a harrowing to go, a darned patch
A soft fontanel
a warm harm
a human
         does nothing
unusual, forgetting the euphoria
of human potential
is human potential
wanting more tools to form the mind. Rest, stop, a human is go
stopping and returning,
a practice    a human is someone
to pick you up
a human is someone to hone
in a human's
long-held desire to vanish in a crowd or x-ed
out void of others,
in mass human's estranging light.
 
Copyright © 2011 by Gillian Conoley. Used with permission by the author.

Poems by This Author

It Was The Beginning Of Joy And The End Of Pain by Gillian Conoley
The sewing machine had a sort of genius


Further Reading

Related Poems
way [excerpts]
by Leslie Scalapino
Patience
by Kay Ryan
Upper World
by Rae Armantrout