Homage to Sharon Stone

Lynn Emanuel

 
It's early morning. This is the "before,"
the world hanging around in its wrapper,
blowzy, frumpy, doing nothing: my
neighbors, hitching themselves to the roles
of the unhappily married, trundle their three
mastiffs down the street. I am writing this
book of poems. My name is Lynn Emanuel.
I am wearing a bathrobe and curlers; from
my lips, a Marlboro drips ash on the text.
It is the third of September nineteen**.
And as I am writing this in my trifocals
and slippers, across the street, Sharon Stone,
her head swollen with curlers, her mouth
red and narrow as a dancing slipper,
is rushed into a black limo. And because
these limos snake up and down my street,
this book will be full of sleek cars nosing
through the shadowy ocean of these words.
Every morning, Sharon Stone, her head
in a helmet of hairdo, wearing a visor
of sunglasses, is engulfed by a limo
the size of a Pullman, and whole fleets
of these wind their way up and down
the street, day after day, giving to the street
(Liberty Avenue in Pittsburgh, PA)
and the book I am writing, an aspect
that is both glamorous and funereal.
My name is Lynn Emanuel, and in this
book I play the part of someone writing
a book, and I take the role seriously,
just as Sharon Stone takes seriously
the role of the diva. I watch the dark
cars disappear her and in my poem
another Pontiac erupts like a big animal
at the cool trough of a shady curb. So,
when you see this black car, do not think
it is a Symbol For Something. It is just
Sharon Stone driving past the house
of Lynn Emanuel who is, at the time,
trying to write a book of poems.
Or you could think of the black car as
Lynn Emanuel, because, really, as an author,
I have always wanted to be a car, even
though most of the time I have to be
the "I," or the woman hanging wash;
I am a woman, one minute, then I am a man,
I am a carnival of Lynn Emanuels:
Lynn in the red dress; Lynn sulking
behind the big nose of my erection;
then I am the train pulling into the station
when what I would really love to be is
Gertrude Stein spying on Sharon Stone
at six in the morning. But enough about
that, back to the interior decorating:
On the page, the town looks bald
and dim so I turn up the amps on
the radioactive glances of bad boys.
In a kitchen, I stack pans sleek with
grease, and on a counter there is a roast
beef red as a face in a tantrum. Amid all
this bland strangeness is Sharon Stone,
who, like an engraved invitation, is asking
me, Won't you, too, play a role? I do not
choose the black limo rolling down the street
with the golden stare of my limo headlights
bringing with me the sun, the moon, and
Sharon Stone. It is nearly dawn; the sun
is a fox chewing her foot from the trap;
every bite is a wound and every wound
is a red window, a red door, a red road.
My name is Lynn Emanuel. I am the writer
trying to unwrite the world that is all around her.
 
From Then, Suddenly--, by Lynn Emanuel. Copyright © 1999. All rights reserved. Reproduced by permission of the University of Pittsburgh Press. Available at local bookstores or directly from the University of Pittsburgh Press:
c/o CUP Services
Box 6525
Ithaca, NY 14851
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Poems by This Author

Dream In Which I Meet Myself by Lynn Emanuel
Even the butter's a block of sleazy light. I see that first
inside gertrude stein by Lynn Emanuel
Right now as I am talking to you and as you are being talked
Inventing Father In Las Vegas by Lynn Emanuel
If I could see nothing but the smoke
Item: by Lynn Emanuel
I strolled through the neighborhood of beautiful houses
Sonnetesque by Lynn Emanuel
I love its smallness: as though our whole town
The Burial by Lynn Emanuel
After I've goosed up the fire in the stove with Starter Logg
The Politics of Narrative: Why I Am A Poet by Lynn Emanuel
Jill's a good kid who's had some tough luck. But that's


Further Reading

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by Catie Rosemurgy
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Un Chien Andalou (An Andalusian Dog)
by A. Van Jordan
A Score for Tourist Movies
by Mary Austin Speaker
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An American in Hollywood
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Au Hasard Balthazar
by Stacy Szymaszek
Ave Maria
by Frank O'Hara
Brad Pitt
by Aaron Smith
Chaplinesque
by Hart Crane
Daffy Duck In Hollywood
by John Ashbery
French Movie
by David Lehman
Heroic Simile
by Robert Hass
Old Boy
by A. Van Jordan
On the Waterfront
by B. H. Fairchild
One Shies at the Prospect of Raising Yet Another Defense of Cannibalism
by Josh Bell
To the Film Industry in Crisis
by Frank O'Hara
Trigger Guard
by Joanna Fuhrman
When There Were Ghosts
by Alberto Ríos