Nikolaus Mardruz to his Master Ferdinand, Count of Tyrol, 1565

Richard Howard

 

A tribute to Robert Browning and in

celebration of the 65th birthday of Harold
Bloom, who made such tribute only natural.

   My Lord recalls Ferrara?  How walls
rise out of water yet appear to recede
   identically
   into it, as if
built in both directions: soaring and sinking...
   Such mirroring was my first dismay--
         my next, having crossed
         the moat, was making
   out that, for all its grandeur, the great
pile, observed close to, is close to a ruin!
   (Even My Lord's most
   unstinting dowry
may not restore this wasted precincts to what
   their deteriorating state demands.)
         Queasy it made me,
         glancing first down there
      at swans in the moat apparently
feeding on their own doubled image, then up
   at the citadel,
   so high--or so deep,
and everywhere those carved effigies of
   men and women, monsters among them
         crowding the ramparts
         and seeming at home
   in the dingy water that somehow
held them up as if for our surveillance--ours?
   anyone's who looked!
   All that pretension
of marble display, the whole improbable
   menagerie with but one purpose:
         having to be seen.
         Such was the matter
   of Ferrara, and such the manner,
when at last we met, of the Duke in greeting
   My Lordship's Envoy:
   life in fallen stone!
Several hours were to elapse, in the keeping
   of his lackeys, before the Envoy
         of My Lord the Count
         of Tyrol might see
   or even be seen to by His Grace
the Duke of Ferrara, though from such neglect
   no deliberate
   slight need be inferred:
now that I have had an opportunity
   --have had, indeed, the obligation--
         to fix on His Grace
         that perlustration
   or power of scrutiny for which
(I believe) My Lord holds his Envoy's service
   in some favor still,
   I see that the Duke,
by his own lights or perhaps, more properly
   said, by his own tenebrosity,
         could offer some excuse
         for such cunctation...
   Appraising a set of cameos
just brought from Cairo by a Jew in his trust,
   His Grace had been rapt
   in connoisseurship,
that study which alone can distract him
   from his wonted courtesy; he was
         affability
         itself, once his mind
   could be deflected from mere objects.  
At last I presented (with those documents
   which in some detail
   describe and define
the duties of both signators) the portrait
   of your daughter the Countess,
         observing the while
         his countenance.  No
   fault was found with our contract, of which
each article had been so correctly framed
   (if I may say so)
   as to ascertain
a pre-nuptial alliance which must persuade
   and please the most punctilious (and
         impecunious)
         of future husbands.
   Principally, or (if I may be
allowed the amendment) perhaps Ducally,
   His Grace acknowledged
   himself beguiled by
Cranach's portrait of our young Countess, praising
   the design, the hues, the glaze--the frame
         and appeared averse,
         for a while, even
   to letting the panel leave his hands!
Examining those same hands, I was convinced
   that no matter what
   the result of our
(at this point, promising) negotiations,
   your daughter's likeness must now remain
         "for good," as we say,
         among Ferrara's
   treasures, already one more trophy
in His Grace's multifarious holdings,
   like those marble busts
   lining the drawbridge,
like those weed-stained statues grinning up at us
   from the still moat, and--inside as well
         as out--those grotesque
         figures and faces
   fastened to the walls. So be it!  
               Real
bother (after all, one painting, for Cranach
   --and My Lord--need be  
   no great forfeiture)
commenced only when the Duke himself led me
   out of the audience-chamber and
         laboriously
         (he is no longer
   a young man) to a secret penthouse
high on the battlements where he can indulge
   those despotic tastes
   he denominates,
      half smiling over the heartless words,
"the relative consolations of semblance."  
         "Sir, suppose you draw
         that curtain," smiling
   in earnest now, and so I sought--
but what appeared a piece of drapery proved
   a painted deceit!  
   My embarrassment
afforded a cue for audible laughter,
   and only then His Grace, visibly
         relishing his trick,
         turned the thing around,
   whereupon appeared, on the reverse,
the late Duchess of Ferrara to the life!
   Instanter the Duke
   praised the portrait
so readily provided by one Pandolf--
   a monk by some profane article
         attached to the court,
         hence answerable
   for taking likenesses as required
in but a day's diligence, so it was claimed...
   Myself I find it
   but a mountebank's  
proficiency--another chicane, like that
   illusive curtain, a waxwork sort
         of nature called forth:
         cold legerdemain!
   Though extranea such as the hares
(copulating!), the doves, and a full-blown rose
   were showily limned,
   I could not discern
aught to be loved in that countenance itself,
   likely to rival, much less to excel
         the life illumined
         in Cranach's image
   of our Countess, which His Grace had set
beside the dead woman's presentment... And took,
   so evident was
   the supremacy,
no further pains to assert Fra Pandolf's skill.
   One last hard look, whereupon the Duke
         resumed his discourse
         in an altered tone,
   now some unintelligible rant
of stooping--His Grace chooses "never to stoop"
   when he makes reproof...
   My Lord will take this
as but a figure:  not only is the Duke
      no longer young, his body is so
         queerly misshapen
         that even to speak
   of "not stooping" seems absurdity:
the creature is stooped, whether by cruel
   or impartial cause--say
   Time or the Tempter--
I shall not venture to hypothecate. Cause
   or no cause, it would appear he marked
         some motive for his
         "reproof," a mortal
   chastisement in fact inflicted on
his poor Duchess, put away (I take it so)
   for smiling--at whom?  
   Brother Pandolf? or
some visitor to court during the sitting?
   --too generally, if I construe
         the Duke's clue rightly,
         to survive the terms
   of his... severe protocol.  My Lord,
at the time it was delivered to me thus,
   the admonition
   if indeed it was
any such thing, seemed no more of a menace
   than the rest of his rodomontade;
         item, he pointed,
         as we toiled downstairs,
   to that bronze Neptune by our old Claus
(there must be at least six of them cluttering
   the Summer Palace
   at Innsbruck), claiming
it was "cast in bronze for me."  Nonsense, of course.  
   But upon reflection, I suppose
            we had better take
            the old reprobate
   at his unspeakable word... Why, even
assuming his boasts should be as plausible
   as his avarice,
   no "cause" for dismay:
once ensconced here as the Duchess, your daughter
   need no more apprehend the Duke's
            murderous temper
            than his matchless taste.  
   For I have devised a means whereby
the dowry so flagrantly pursued by our
   insolvent Duke ("no
   just pretense of mine
be disallowed" indeed!), instead of being
   paid as he pleads in one globose sum,
            should drip into his
            coffers by degrees--
   say, one fifth each year--then after five
such years, the dowry itself to be doubled,
   always assuming
   that Her Grace enjoys
her usual smiling health.  The years are her
   ally in such an arbitrament,
            and with confidence
            My Lord can assure
   the new Duchess (assuming her Duke
abides by these stipulations and his own
   propensity for
   accumulating
"semblances") the long devotion (so long as
   he lasts ) of her last Duke... Or more likely,
            if I guess aright
            your daughter's intent,
   of that young lordling I might make so
bold as to designate her next Duke, as well...
               Ever determined in
   My Lordship's service,
   I remain his Envoy
to Ferrara as to the world.  
                              Nikolaus Mardruz.
 

Poems by This Author

Like Most Revelations by Richard Howard
It is the movement that incites the form,