poets.org

2

poem-a-day

poem-a-day
Sign up to receive an unpublished poem everyday in your inbox.
today's poet
Charlie Smith

Crostatas

About this Poem 

“A crostata is a piece of hard toast covered with tasty edibles (cheese, olives, tomatoes, mushrooms or whatever you like) and eaten at a meal or as a snack after you return to your apartment from a rendezvous on the Capitoline Hill or anywhere else.”
—Charlie Smith

Crostatas

Charlie Smith, 1947

in rome I got down among the weeds and tiny perfumed
flowers like eyeballs dabbed in blood and the big ruins
said do it my way pal while starlings
kept offering show biz solutions and well the vatican
pursued its interests the palm trees like singular affidavits
the wind succinct and the mountains painted blue
just before dawn accelerated at the last point
of departure before the big illuminated structures
dug up from the basement got going and I ate crostatas
for breakfast and on the terrace chatted
with the clay-faced old man next door and said I was
after a woman who’d left me years ago and he said lord aren’t we all.

Copyright © 2014 by Charlie Smith. Used with permission of the author.

Copyright © 2014 by Charlie Smith. Used with permission of the author.

collection

Classic Books of American Poetry

This collection of books showcases the masterpieces of American poetry that have influenced—or promise to influence—generations of poets. Take a look.

collection

Poets in Conversation

In this collection of conversations, poets talk with one another about what inspires them most about the art form.

collection

Poetry and Place

In this collection, we examine the significance of place in contemporary American poetry. Here you'll find a range of poems, commentary, and essays that revolve around what we mean by the idea of "home" or of "homelessness" resulting from travel or displacement. Some works deal with a specific time and location, while others focus on a more socially-constructed view of place through the lenses of pop culture and identity. In the end, we hope this collection both confirms and challenges your notion of place in American poetry.

For a more thorough exploration of our theme, check out W. T. Pfefferle's anthology Poets on Place: Essays & Tales from the Road.

Anne Waldman
poem

Let America Be America Again

Let America be America again.
Let it be the dream it used to be.
Let it be the pioneer on the plain
Seeking a home where he himself is free.

(America never was America to me.)

Let America be the dream the dreamers dreamed—
Let it be that great strong land of love
Where never kings connive nor tyrants scheme
That any man be crushed by one above.

(It never was America to me.)

O, let my land be a land where Liberty
Is crowned with no false patriotic wreath,
But opportunity is real, and life is free,
Equality is in the air we breathe.

(There's never been equality for me,
Nor freedom in this "homeland of the free.")

Say, who are you that mumbles in the dark? 
And who are you that draws your veil across the stars?

I am the poor white, fooled and pushed apart,
I am the Negro bearing slavery's scars.
I am the red man driven from the land,
I am the immigrant clutching the hope I seek—
And finding only the same old stupid plan
Of dog eat dog, of mighty crush the weak.

I am the young man, full of strength and hope,
Tangled in that ancient endless chain
Of profit, power, gain, of grab the land!
Of grab the gold! Of grab the ways of satisfying need!
Of work the men! Of take the pay!
Of owning everything for one's own greed!

I am the farmer, bondsman to the soil.
I am the worker sold to the machine.
I am the Negro, servant to you all.
I am the people, humble, hungry, mean—
Hungry yet today despite the dream.
Beaten yet today—O, Pioneers!
I am the man who never got ahead,
The poorest worker bartered through the years.

Yet I'm the one who dreamt our basic dream
In the Old World while still a serf of kings,
Who dreamt a dream so strong, so brave, so true,
That even yet its mighty daring sings
In every brick and stone, in every furrow turned
That's made America the land it has become.
O, I'm the man who sailed those early seas
In search of what I meant to be my home—
For I'm the one who left dark Ireland's shore,
And Poland's plain, and England's grassy lea,
And torn from Black Africa's strand I came
To build a "homeland of the free."

The free?

Who said the free?  Not me?
Surely not me?  The millions on relief today?
The millions shot down when we strike?
The millions who have nothing for our pay?
For all the dreams we've dreamed
And all the songs we've sung
And all the hopes we've held
And all the flags we've hung,
The millions who have nothing for our pay—
Except the dream that's almost dead today.

O, let America be America again—
The land that never has been yet—
And yet must be—the land where every man is free.
The land that's mine—the poor man's, Indian's, Negro's, ME—
Who made America,
Whose sweat and blood, whose faith and pain,
Whose hand at the foundry, whose plow in the rain,
Must bring back our mighty dream again.

Sure, call me any ugly name you choose—
The steel of freedom does not stain.
From those who live like leeches on the people's lives,
We must take back our land again,
America!

O, yes,
I say it plain,
America never was America to me,
And yet I swear this oath—
America will be!

Out of the rack and ruin of our gangster death,
The rape and rot of graft, and stealth, and lies,
We, the people, must redeem
The land, the mines, the plants, the rivers.
The mountains and the endless plain—
All, all the stretch of these great green states—
And make America again!
Langston Hughes
1994
collection

2014 National Book Award Contenders

This year's James Laughlin Award winner, Brian Blanchfield, and two of the Academy's current Chancellors—Edward Hirsch and Claudia Rankine—are among those included on the longlist for the 2014 National Book Award in Poetry. Read their bios and a selection of work from their nominated books.

collection

On the Poetic Line

The poetic line is one of the most emphasized elements of form, the structural division of verse that can indicate patterns in meter, rhythm, and rhyme and influence the aesthetics and emphases of the poem. Examinations and discussions of the line abound, and we hope this collection, featuring books and essays by a variety of writers, provides a context for the use of the line in the history of poetic craft. 

advertisement
Academy Chancellor Carolyn Kizer, December 10, 1924 - October 9, 2014